with The War And Treaty
Twenty years after they began releasing records as the Indigo Girls, Amy Ray and Emily Saliers have politely declined the opportunity to slow down with age. With a legacy of releases and countless U.S. and international tours behind them, the Indigo Girls have forged their own way in the music business. Selling over 14 million records, they are still going strong. Amy & Emily are the only duo with top 40 titles on the Billboard 200 in the '80s, '90s, '00s and '10s.
“Along with Simon & Garfunkel and The Everly Brothers, Amy Ray and Emily Saliers rank at the very top of all-time great duos. The sublime music-making-machine-skewering “Making Promises” is one of their finest rockers.” – The Boston Herald
After signing to Epic Records in 1988, the Indigo Girls released their critically acclaimed eponymous album to thunderous praise; it remained on the Billboard Hot 100 Chart for 35 weeks, earned double platinum status, received a Grammy nomination for “Best New Artist” and won “Best Contemporary Folk Recording.” They were overnight folk icons who continued to live up to the high standards they’d set for themselves: they’ve since released 14 albums (3 platinum and 3 gold), received six Grammy nominations and have won one. Indigo Girls have toured with innumerable star acts including Neil Young, Emmylou Harris, Joan Baez, R.E.M., Sarah MacLachlan, Natalie Merchant, Jewel and Mary Chapin Carpenter.
The duo has balanced their long, successful musical career by supporting numerous social causes – the Indigo Girls don’t just talk the talk; they walk the walk. Having established an intensely dedicated fan base, the duo continues to remain relevant and attract new fans. With their latest release, Beauty Queen Sister, released on IG Recordings distributed by Vanguard Records, Emily Saliers and Amy Ray have secured their spot as one of the most legendary musical acts of this generation.
“Their 14th studio album finds the Indigo Girls operating as powerfully as at any time in their career, on a set of uncommonly strong songs performed with the kind of typically understated Nashville polish that affords their signature harmonies the full spotlight.” – The Independent (UK)
In 2015 Indigo Girls released their 14th studio album, One Lost Day, produced by Jordan Brooke Hamlin and mixed by Brian Joseph.
The War and Treaty: the name itself represents the pull between trauma and tranquility; music inspired by darkness and despair that ultimately finds a higher spiritual purpose. It’s a sound manifested on the group’s upcoming EP, Down to the River.
For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.”
Then he met Tanya Blount. Blount, a seasoned performer whose musical influences include Mahalia Jackson, Dolly Parton, Sister Odette and Aretha Franklin, was amazed by Michael. "His personality drew me in initial and then the sparks started to fly. I knew that I was hooked," recalls Tanya. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration.
The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, bluegrass, folk, gospel and soul. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to any one. The arrangements are uncluttered– harmonies, bass lines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record. “
"I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.”
That beginning can be heard in the album’s first single “Hi Ho,” a WMNF hit that is now being heard on radio stations throughout the country. Still, for all their optimism and initial intent, The War and Treaty, knows that as their name suggests, perseverance is key to success. They continue to tour, their son in tow, hoping to share songs of reconciliation and humanity.
The goal of the Sprint Pavilion is to provide a safe, enjoyable environment for all of our patrons, our performers, and our staff. With that in mind, beginning in 2018, we will enact new security procedures to make sure that prohibited or dangerous items are not brought into the venue. For all events, including Fridays After Five, patron points of entry will be limited and there will be a bag check for any packages brought inside the gates. We encourage our patrons to travel light but, if you do have bags or packages with you, plan for the entry to take a few moments as our staff inspects the bags. We appreciate your patience so that we can all feel safe. Unfortunately, we do not offer any bag check so please familiarize yourself with our list of prohibited items and leave them at home.
For all ticketed events, we will be instituting a higher level of security. All patrons will be asked to walk through our metal detectors after emptying their pockets of any metal objects. Patrons may opt for a pat down inspection should they choose. We will have plenty of lines open and we hope that this procedure will flow smoothly and not delay your entrance to the venue. Should you bring bags with you to ticketed events, we will still need to inspect the parcel prior to you passing thru the metal detectors. Once again, we appreciate your patience as we work to ensure the safety of all of our patrons.
$49 Lower Reserved
$35 General Admission
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